Brokeback Mountain: 10 Years On

Aaron Hicklin
16 min readMar 4, 2019

An Oral History

“The shirt seemed heavy until he saw there was another shirt inside it, the sleeves carefully worked down inside Jack’s sleeves. It was his own plaid shirt, lost, he’d thought, long ago in some damn laundry, his dirty shirt, the pocket ripped, buttons missing, stolen by Jack and hidden here inside Jack’s own shirt, the pair like two skins, one inside the other, two in one.” — Annie Proulx, Brokeback Mountain

The quiet, revolutionary charge of Ang Lee’s Brokeback Mountain, 10 years old this year, could be felt not only in the way it was embraced by cinemagoers, but in the way some attempted to neutralize its depiction of same-sex love by turning its most intimate and harrowing scene — Jack Twist’s “I wish I knew how to quit you” moment — into a joke. According to Jake Gyllenhaal, who played the charismatic Twist, that was something Heath Ledger, in particular, was acutely sensitive to. “He was extraordinarily serious about the political issues surrounding the movie when it came out,” he says. “A lot of times people would want to have fun and joke about it, and he was vehement about being serious, to the point where he didn’t really want to hear about anything that was being made fun of.”

Watched again a decade later, that “quit you” encounter on Brokeback Mountain — a culmination of the lovers’ lost years, symbolized in a desperate animal embrace — remains as charged and powerful as ever. Some of us have known someone like Ennis Del Mar, trapped in a world in which he doesn’t fit, and hopelessly incapable of seeing any alternative. Or, as Annie Proulx wrote in the short story on which the movie is based, “There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can’t fix it you’ve got to stand it.” It is Del Mar’s tragedy, and by extension Jack Twist’s, too, that he cannot bring himself to choose happiness over fear.

Many have written about the homoerotic subtext of cowboy films, but no story has been as forthright as Brokeback Mountain in reminding us that for all the celebrated machismo of the American West, there have always been men like Ennis and Jack.

In an emailed interview, Proulx says, “Of course there were and are gay men in the world of cattle and horses since the first cow…

Aaron Hicklin

Since moving to the U.S. in 1998, Aaron Hicklin has been editor of BlackBook, Out, and Document, and writes for The Guardian and The NYT, among others.