The Good American

Harold Lloyd was the ‘third genius’ of silent cinema, a happy-go-lucky, bespectacled innocent audiences loved to love. Then critical authority caught up with him and that was that: he was written out of the script of history. Yet all of a sudden, says Aaron Hicklin, Lloyd is enjoying a renaissance in the States. And Hollywood is even remaking his most famous movie…

Aaron Hicklin

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Aaron Hicklin

Since moving to the U.S. in 1998, Aaron Hicklin has been editor of BlackBook, Out, and Document, and writes for The Guardian and The NYT, among others.